"Intriguing and captivating."—Celia Rees, author of Witch Child WRONGED. HANGED. ALIVE? (AND TRUE!)Anne can't move a muscle, can't open her eyes, can't scream. She lies immobile in the darkness, unsure if she'd dead, terrified she's buried alive, haunted by her final memory—of being hanged. A maidservant falsely accused of infanticide in 1650 England and sent to the scaffold, Anne Green is trapped with her racing thoughts, her burning need to revisit the events—and the man—that led her to the gallows.Meanwhile, a shy 18-year-old medical student attends his first dissection and notices something strange as the doctors prepare their tools . . . Did her eyelids just flutter? Could this corpse be alive?Beautifully written, impossible to put down, and meticulously researched, Newes from the Dead is based on the true story of the real Anne Green, a servant who survived a hanging to awaken on the dissection table. Newes from the Dead concludes with scans of the original 1651 document that recounts this chilling medical phenomenon. Distributed by Syndetic Solutions, Inc.

British author Hooper (The Remarkable Life and Times of Eliza Rose) bases this macabre novel on the chilling true story of Anne Green, a maidservant who in 1650 was hanged, thrown into a coffin... and "miraculously" revived just as the doctors at the medical school in Oxford were about to dissect her. From her purgatorial state inside the coffin, Anne recounts the details of her wretched life--her seduction by the lying grandson and heir of Sir Thomas Reade, at whose estate Anne works; her pregnancy and miscarriage; her trial for infanticide, where a guilty verdict is virtually assured by Sir Thomas's fury at her for naming his grandson as the father. Alternating chapters describe events as experienced by witnesses, particularly a shy, stuttering medical student for whom the sight of Anne's corpse-like body reawakens a traumatic memory of his own (gratuitously occasioning a melodramatic subplot). As Oxford doctors observe tiny signs of life but cannot hasten Anne's awakening, Sir Thomas demands that justice be served; meanwhile others interpret Anne's state as a message from God. All the dissection-room debating slows the pace, but it's hard to take the edge off this plot. Ages 14-up. (May) Copyright 2008 Reed Business Information. From: Reed Elsevier Inc. Copyright Reed Business Information

It is 1650, and Anne is a maid servant in the pious household of Sir Thomas Reade. There she falls victim to his ne're-do-well grandson and becomes pregnant. As in Dowd's A Swift Pure Cry, the baby arrives early and stillborn. However, when the body is inevitably discovered, Anne is sentenced to hang for matricide, this being Cromwell's England. Here's the twist: the story unfolds in alternating viewpoints as Anne's body lies immobile on a dissection table. Young Robert Matthews, a medical student, thinks he might have seen her eyes flutter. Why It Is for Us: Childbirth can be a horrifying business, and this story, based on true events, is a chilling look at the plight of the powerless and impoverished in a classed society. Anne is a victim of her employer, of justice, and of the hangman's noose; it is only in death that she finds rescue. The book concludes with a reproduction of a 1651 medical document chronicling Anne's case. Copyright 2009 Reed Business Information. From: Reed Elsevier Inc. Copyright Reed Business Information

Gr 8 Up-A grabber of a premise: It's England, 1650, and as the dissection of an ill-fated 22-year-old servant woman newly unstrung from the gallows begins, the participants detect the cadaver's eyes flickering. Hooper alternates perspective from Anne (the not-actually-dead corpse), who flashes back to explain how she ended up there, to that of a young intellectual attendee of the dissection, a sympathetic stutterer named Robert. Anne's story, rife with gruesome scenes of Puritan-era life (e.g., a rat-infested prison, a bloody miscarriage in a dirty privy) trumps Robert's drier account of the discourse among various distinguished intellectuals of the day, unless readers are well versed in the period's historical details (e.g., when Christopher Wren is teased for his poor poetry). The resulting back-and-forth of the two narrators makes for a poorly paced read, but the pervasive sense of injustice and indignity is vibrant enough to buoy readers through to the unexpectedly positive ending. Loosely based on a true story-hence the title, taken from broadsides published at the time-with a decidedly unromantic view of the era, this is a must-read for teens learning about Cromwell and the Puritan revolution, or for young feminists who appreciate narratives about the treatment of women in history.-Rhona Campbell, Washington, DC Public Library Copyright 2008 Reed Business Information. From: Reed Elsevier Inc. Copyright Reed Business Information

Newes from the Dead was the name of a pamphlet that circulated in England in 1650 after a teenage housemaid, hanged for the crime of infanticide, awoke on the dissecting table. Hooper uses this case as the basis for a historical mystery that is creepy in the best Edgar Allen Poe tradition, as well as thought-provoking about sexual harassment and abuse. The story opens in a coffin, as the reader listens in on poor Anne's frantic coming-to-terms with where she is and how she got there: her days as a servant, her seduction by a young lord, the accusation of murder. Anne's thoughts, from coffin to dissecting table, are juxtaposed with a third-person narrative, centering on a nervous young surgeon who is on hand to witness and assist in the young woman's dissection. Hooper explains that surgeons were allowed to conduct autopsies on criminals, and it's just such intriguing tidbits of Cromwellian history that add heft to this suspenseful novel. Give this to readers who prefer their historical mysteries straight up without an overlay of fantasy.--Fletcher, Connie Copyright 2008 Booklist From: Syndetics Solutions, Inc. Distributed by Syndetic Solutions, Inc.